Today, I'm thrilled to have the lovely Shana Galen here to bring us some of that sunshine with her merry smile, her stunning new cover and a jolly chat about the sometimes upside down, inside out world in which we writers live and write.
Thanks so much for stopping by. Please help me welcome Shana, and don't forget to leave a comment for her below!
by Shana Galen
Have you ever packed for a trip somewhere with weather quite
different from yours, and despite checking the weather in your destination, you
still packed for your current location? I do this all the time. I attend
several writing conferences a year, and many of them are across the country
from my home base in Houston, Texas.
I remember the year I attended a conference in Chicago in
April. In Houston, April is warm, temperatures in the 80s. In Chicago, the
weather was in the 50s. Despite knowing logically that the 50s is colder than
the 80s, most of the clothes I packed were sundresses and sandals. I froze the
first day I arrived and tried not to venture out of the hotel where I was
staying. It’s hard to imagine 50-degrees when you’re living in 80-degrees.
The converse is also true. A few years ago my family and I
went to Disneyworld in December. Orlando and Houston have similar weather, but
that week Houston was in the 30s and Orlando was unseasonably hot with temps in
the 80s and low 90s. I still packed jeans and coats and sweaters and then was
too hot as I walked around Disney.
I run into this problem a lot when I’m writing. It’s very
common for me to be scheduled to write a Christmas novella set in England in
the middle of a sweltering Houston summer. How do I do it? I use my
imagination. A lot.
Most authors who write historical fiction have to use their
imaginations. We can read first-hand accounts of life in London or Paris, and
even if we’ve been to the cities on vacation, the London of 2015 is not the
London of 1820. At most, we hope for a glimmer of what was to spur our
imagination.
Another element of setting I pay attention to is location.
My most recent release, EARLS JUST WANT TO HAVE FUN, is set in London. It’s filled
with descriptions of busy streets, street hawkers, jostling crowds, and of
course, that ever-present London fog. But not all of London was the same. Part
of the book is set in the wealthy area of Mayfair, while the rest of the book
is set in the slums of Seven Dials. I really wanted to juxtapose the two
settings, because even though they are geographically close, they are miles
apart in setting. Mayfair had open spaces, clean (by the standards of the day)
streets, posh houses, and was considerably quieter than other areas of London.
I once read that the really rich had straw put on the streets in front of their
houses so the sounds of carriages passing would be muted.
Seven Dials was dark and filthy with rubbish in the street
and walks. Unkempt children ran free. Gin houses were prevalent, which meant
drunk men and women were commonplace, as were prostitutes and thieves—not that
there was much to steal in Seven Dials. I read an account from a physician who
attended a sick person in one of the London rookeries, and he mentioned the
room where the family lived was so dark, even in the middle of the day, he had
to bring extra lamps with him to see.
Quite a contrast from those whitewashed mansions in Mayfair!
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