Anne is a
young woman who has, for many years, managed everything for
her family— when they will let her. But now her beloved father is dead and
the plan for Anne to safely spend her future looking after him in his dotage
is scuppered. Now somewhere must be found to put Anne.
Her elder
brother, Wilfred, is disdainful of his sister's worth and thinks her more than
a little "addled" for talking to make-believe friends, dancing in the
rain, and not knowing when to "shut up."
"Her
chattering tongue shows a peculiar want of humility and is most unladylike."
When her no-nonsense mother was alive, Anne's wistful perusal of brighter colors on the haberdasher's shelves had always been corralled with a sharp dose of wisdom and practicality.
"Anne,
you do better in brown," her mother would say. "It doesn't show stains or make promises you can't
deliver. It's steadfast, practical and doesn't try to stand out."
Her sister,
Lizzie, was only five when their mother
died and Anne was ten. From that time onward Anne became her little sister's
mother figure and did everything for her. But now that they are older and
Lizzie newly married, their roles are awkwardly reversed. Anne is still trying
to get accustomed to the change and to young bride Lizzie's amiable, but ill-equipped,
attempts to "look after" her spinster elder sister.
Anne also
has several aunts and great-aunts who have made it their mission to find her
a home now that Wilfred has sold the
family house. And, of course, that means finding her a husband, no matter how
far into the barrel they must scrape.
But all her
family's efforts to make her resigned to the dull fate of a plain girl, fit only for brown and practical uses, are in vain. Anne has—shockingly—made up her own mind
about how she wants
to spend her future. She is determined to know independence as a "modern
girl" of 1877.
On her own for the first time at one and twenty, she takes
herself into the exciting, wicked world of London, far away from the little
Oxfordshire village where she grew up (population forty-nine, and all
her business, or lack of it, known to them, as theirs was to her). She
has found employment—after a few false starts— as a salesgirl at
Lockreedy and Velder's Universal Emporium. For her it is the perfect position, allowing her to meet new people every day and to be a part of the
ever-changing, ever-moving world that, until now, has passed her by like a speeding omnibus.
Of course,
she has managed all this very slyly, before any aunts can organize an
alternative
path for her, but she writes to them all regularly, so that they
need have no fear of her being abducted by pirates or highwaymen. She makes
sure her letters are entertaining enough that nobody might get it into their
head that she is lonely, homesick or afraid for her future as a single woman.
Well,
perhaps she makes up a few adventures for herself in those letters, but at
least they do the trick of keeping her well-meaning aunts from finding more
potential suitors for her. After all, they have not got the slightest idea
what sort of man she might like, anymore than they know of her yearning for a rose madder dress instead of brown. They have not even bothered to ask. They think
they know what's best for her. As an aunt once explained,
And when
she is about to lose all chance of ever knowing a kiss from his lips, Anne
Follyot's clever, vivid and determined imagination
finds a way to bring them together. With the help of a little seasonal magic, a few ghosts
of Christmas past, present and future, and the strength of true love, she stops
a certain grumpy fellow in his tracks and diverts his course to finally collide with
her own.
Her father
had always said that her lively, clever mind would be the way to a man's
heart. But he did not know how right he was.
Anne
Follyot has always taken care of everybody else. Finally, this Christmas, its
time she takes care of herself and gets the very present she wants. Nothing will stand in this "modern
girl's" way.
* * * *
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